Very Special Thanks to Tobias Kiel Lauesen!
Friday, August 14, 2015
In Conversation: October Dance
Very Special Thanks to Tobias Kiel Lauesen!
Saturday, December 13, 2014
In Conversation: People at Parties
Thursday, November 6, 2014
In Conversation: Minuit Machine
Friday, October 24, 2014
In Conversation: Violence
Hear the words, experience their music, sense Violence.
V: We do indeed wish that the music retains a strong enough narrative value so that it can speak by itself. A type of discourse that we find interesting is the dialogue between the listeners and the music, which we think should be free of contamination from our own interpretation.
2. The music of Violence reveals some great electronic shapes. What influenced your music the most and looking into future, what would be your vision in music?
V: Nice that you refer to a certain visual aspect of sound, which has been a driving force in this project since its initiation. We often accompany our live performances with visuals made of shapes and pictograms that we draw ourselves image by image on a very primitive device. It would be too long to enumerate our musical influences, but let's just say that we appreciate "la beauté baroque", past and future.
3. You released your debut album ‘Erlebnis’ this year on Visage Musique. It is certainly one of our favorite music albums here on Burning Flame for this year. Were you approached by the label and if yes, did this label have any influence on your musical style?
V: Thank you. Yes Visage Musique previously released our self-titled EP in 2013, which they probably heard through mutual friends. The aesthetics of Violence already suited well that of VM, which is quite broad but at the same time nicely coherent we think.
4. How would you describe your musical style on ‘Erlebnis’ and why did you pick the German name as the album title? Is the term ‘Violence’ in any aspect related to your music?
V: "Erlebnis" has several meanings; our intent was to refer to the inner experience of listening to music, i.e. its psychedelic properties. This inner experience is seldom quiet - the name Violence is no stranger to that.
5. Do you hang out and tour together with other artists from Visage Musique?
V: VM is a collaborative effort by great people driven by the love of music and the urgency to facilitate its diffusion. We often find ourselves playing and attending the same concerts and events in Montréal.
6. Can you share some impressions from your first live performances, how was the energy, atmosphere in general?
V: Around 2010 we left Canada to establish ourselves in Oxford UK, that's where we started composing music as Violence. We've played our first concerts in loft parties when returning temporarily to Montreal. The atmosphere was quite unique, with friends doing performance art, video projections, etc... Almost everyone attending these parties would have prepared some kind of performance, making those dancing nights very unique and inspiring.
7. How good are you in remixing music, any plans of doing some remixes for other artists. Do you also do DJ shows?
V: We sometimes do remixes, which can be refreshing. We DJ in private parties but up to now never had the time to really invest in this art.
8. What music are you listening to when you are not recording your own?
V: We listen to a lot of music composed by our friends, including Automelodi, Low Factor, Ambrose, as well as some who don’t have any desire to make it public.
9. What was the first record you bought with your own money? Is it still with you?
V: Eric: I bought “Sigue sigue sputnik - Flaunt it!” when I was around 10 years old, which was one of my first contacts with electronic music. I still have it but to be honest it very rarely lands on my turntable...
10. What are the future plans for Violence, further releases, tours outside Canada? Europe maybe? V: We'll be doing a short European tour at the end of October, really looking forward to it. We'll be releasing new material in January, but may leak a song or two by then.
11. Where can fans gain access to your music?
V: Vinyls on VM: http://visagemusique.tumblr.com/
Digital on bandcamp: http://violence.bandcamp.com/
News/shows: https://www.facebook.com/pages/Violence/182111595174108
Very special thanks to Eric Trottier for this interview!
Tuesday, November 5, 2013
In Conversation: Echö
Tuesday, October 29, 2013
In Conversation: Terror Bird
Monday, June 3, 2013
In Conversation: INHALT
Sunday, February 24, 2013
In Conversation: Andy Oppenheimer
Andy Oppenheimer, a multi-talented individual based in the UK, wears many hats as an explosives expert, author, artist, and musician. In the realm of music, he's notably recognized as the co-founder, singer, and songwriter of the electronic duo Oppenheimer Analysis, formed with Martin Lloyd in the early 80s. Their influential album 'New Mexico' has experienced multiple resurgences, becoming a touchstone for the new DIY generation of electronic artists, thanks to the reach of the internet.
Andy's commitment to music persisted over the years, and in recent times, he has been notably active. Collaborating with Mark Warner on 'Touching The Void' and with Mickey Clarke on 'Major Impact' are among his recent projects. However, the focal point of this interview lies in his collaboration with Mahk Rumbae and the emergence of Oppenheimer MkII. Dive into the interview to explore the latest musical endeavors and the evolving world of Oppenheimer MkII. Enjoy the insights!
Thursday, December 6, 2012
In Conversation: Actors (Jason Corbett)
Saturday, November 3, 2012
In Conversation: WAZU
Thursday, November 1, 2012
In Conversation: Xiu
Tuesday, September 25, 2012
In Conversation: Detachments
Largely produced and performed by Marshal, Dawson, and producer James Ford ( Simian Mobile Disco), it offered more synth driven reworkings of previous singles as well as new and unheard tracks. Since that release, Marshal and Dawson have been touring, intermittently, to further promote the album and band while gaining many a new fan along the way. On September 3, 2012 the digital release of the "Fade EP" saw the light of day on UK-based Hacienda Records. The label has mainly been a vehicle for the output of Peter Hook (New Order / Joy Division) and are now taking on the task of releasing the work of new and established artists. With a follow up LP in the works, where will we see the band go from here? Who better to ask than Marshal himself? He kindly agreed to answer a batch of questions that i happily whipped up for him.
Monday, July 2, 2012
In Conversation: Featureless Ghost
The prolific duo has released 2 full lengths, 3 singles, and an EP. They have releases on Crash Symbols, Ruralfaune, and Double Phantom Digital and just released a cassette EP on Night-People. This will be followed by a vinyl LP this summer (2012), also on Night-People records.
Find out more about Featureless Ghost and hear what Elise and Matt said about their musical influences, live performances and future plans in music in the Q-A below.
Monday, June 4, 2012
In Conversation: David Hewson (Poeme Electronique)
In an exclusive interview, David shares insights into his early musical journey, the inception of Poeme Electronique, his diverse range of musical projects, and exciting plans for the future. Join us as we delve into three decades of music with David Hewson and discover the compelling story behind Poeme Electronique's enduring legacy. Enjoy the interview!
Thursday, March 1, 2012
In Conversation: Clive Pierce (hard Corps)
In the wake of the recent news regarding Hard Corps' reissues on Minimal Wave Records, we had the opportunity to connect with one of the founding members of the group, Clive Pierce. He graciously agreed to share insights in an exclusive interview for our blog.
The genesis of Hard Corps dates back to 1983, emerging from years of musical experimentation. The trio of Clive Pierce, Hugh Ashton, and Rob Doran laid the foundation, later joined by the French-born singer Regine Fetet. Their inaugural single, "Dirty," debuted on Survival Records in 1984, followed by two sessions on Richard Skinner's Radio One show. Martin Rushent and Daniel Miller subsequently approached them, collaborating on several singles released in 1985.
Throughout their musical journey, Hard Corps had the privilege of supporting renowned acts such as the Cure and Depeche Mode during their 80s tours. In 1990, the group disbanded after releasing a compilation featuring a diverse array of tracks. This compilation, available on both vinyl and CD with slightly varied track lists, encapsulates most of their discography, including remixes and rare b-sides.
For an in-depth exploration of Hard Corps, including lesser-known facts, influences, details about the recent reissues, and much more, stay tuned for the interview below.
Monday, January 9, 2012
In Conversation: Howard Jones
I know from my point of view, the stage that the gigs were well attended and the audiences were really enthusiastic. We played club type venues mainly with people standing. I think this is a great way to enjoy the show.
2.You will embark on a nationwide 8-date UK tour in April. Do you see yourself performing in your home country as a bigger challenge?
I am very excited about taking the HL, DIA tour around the UK. I love touring in the UK you don't have to fly every day and i have such dedicated fans that make it such a pleasure
3.Where do you think your biggest fan base is located?
I suppose the U.S. is my biggest fan base.
4.Two years ago, you performed your first two albums in their entirety. They were also reissued for the first time in Europe. Do you wish you could have re-recorded any of the songs?
November 2010 was the first performance of the DIA/HL tour which we filmed and recorded. This coincided with licensing my first 5 albums from Warner Bros. which meant we could re-master them and get them sounding as good as possible. I have no regrets about the recordings they were the way I wanted them to be at the time and I'm happy with that.
5.What kind of songs do you prefer to record and perform these days? More acoustic or electronic style?
I'm really enjoying the electronic shows at the moment. I did tour acoustically for quite a while which was fun but I am mad for the electronic shows now.
6.Do you still get pleasure from the music you grew up listening to? If yes why? If no, why not?
I like music from all ages and genres. I have 1200 songs on my iPod which covers everything from classical choral music to rap. there is something to enjoy and learn from all music.
7.Do you miss the days of being famous and a pin-up in teen mags?
No, my ambition was not to be famous but to be able to do the things I loved, which was writing recording and performing music. I am very happy being known by the people who care about my music, and that suits me very well.
8.Looking back over your career, can you instantly spot highlights?
Live Aid, headlining Madison Square Garden NY, Jamming with Stevie Wonder, me and him for 30 minutes. Recording Hide and Seek at Abbey Road with a 100 piece orchestra, Doing the Grammy's with a band of Tom Dolby, Herbie Hancock , and Stevie Wonder. Spending 2 hours chatting with Steely Dan’s Walter Becker.
9.Your last album ‘Ordinary Heroes’ was very well received even though it was a not typical Howard Jones record. Do you think of it as an exception or would you like to continue in this direction?
I was very pleased with O.H. I think the next album will be very electronic, and will have the electronic touring band in mind.
10.Do you have your own favourite kind of music and is it any different to what you play now?
I am really into choral music I am the musical Director and writer for a choir "The Glorious Life Chorus "which is a Buddhist choir of about 100 people that meets to rehearse once a month.
11.What was the last CD you bought?
Light and Gold - Eric Whitacre
12.Have you been up to date to what your contemporaries like OMD, Thomas Dolby and Heaven 17 have been up to in music in the previous two years?
Yes I try to keep up with my contemporaries
13.Your favourite Kate Bush song?
Moments of Pleasure
14.Which band would you like to see reunited or which musician would you like see releasing new material?
I'd like to see the surviving members of Japan get together, and Scritti. I wish Paul Buchanan of Blue Nile would release some new things.
15.Which artist, living or dead would you like to duet with?
Paul McCartney
16.Anything else exciting on the horizon of Howard Jones in 2012, any tour dates around Europe?
Japan in February, South Africa, UK tour in April, another trip to the US in the summer and Autumn. Some new recordings starting in March.
Howard Jones performs the entirety of his albums “Human’s Lib and “Dream Into Action” in the UK during April 2012. Ticket Hotline: 0844 477 2000, www.ticketweb.co.uk.
Dates include:
O2 Academy Bristol (April 11)
O2 Academy Sheffield (April 12)
O2 Academy Liverpool (April 13)
O2 Academy Birmingham (April 14)
O2 Academy Newcastle (April 17)
O2 ABC Glasgow (April 18)
O2 Academy Bournemouth (April 20)
O2 Shepherd’s Bush Empire (April 21)
More info: www.howardjones.com