Minimal Compact- Raging and Dancing- The Anthology

Minimal Compact will return with their first career spanning anthology in this month. The Anthology is entitled 'Raging and Dancing' and it features an interview with founder member Samy Birnbach and recording material from 1981 to 1987, when the band called it a day. The Anthology is out on May 23, 2011 through Cherry Red Records.

http://www.cherryred.co.uk


Clan of Xymox- Darkest Hour

Clan of Xymox will return with a new album this May. Their 13th studio album is as they say: "An enthralling journey through the past, present and future of gloomy Goth/Dark Wave sounds". The album contains ten tracks and its relase date is scheduled for May 20, 2011. Visit the band's home page for more details.

www.clanofxymox.com


Instant Hit: He Said- Could You?

He Said was the stage name Graham Lewis of Wire was using for his solo releases during the 1980s. He released two albums and several singles between 1985 and 1989 for 'Mute' including this song which seems, has remained as the last single release entitled "Could You?".


The Durutti Column- Chronicle

The Durutti Column mark a return to live activity with a special one-off show at the "Bridgewater Hall" in Manchester on Saturday April 30, 2011. On this occasion they will premiere their long-awaited biographical album 'Chronicle'. The album itself contains fourteen tracks and comes with a booklet of Vini Reilly's photographs. The sleeve design is by Trevor Johnson and Haider Mundi. The album will initially be sold exclusively at the Bridgewater Hall as a special pre-release CD available with a ticket at the show.

http://thedurutticolumn.com


Retrovision: Ten Pole Tudor- Swords of Thousand Men

Thirty years ago, on this date, Ten Pole Tudor rocked the charts in the UK with this medieval punk gem. "Sword of Thousand Men" remained their biggest selling single and reached number six in the UK charts. The single was also featured in the TV promotional spots in both Europe and the United States for EA's FIFA 11 soccer video game.

The Hidden Tapes

A Compilation of Minimal Wave from Around the World ‘79-‘85 has been announced via Minimal Wave to be released soon. 'The Hidden Tapes' features rare, unreleased, and licensed tracks from as far as Japan and the former Yugoslavia. The sounds on this record range from raw proto-industrial to naive danceable Belgradian new wave, to filmic synthesizer music to more complex, vocal-driven melodic synthpop.
This is a limited edition of 999 numbered copies, pressed on 180 gram vinyl, and housed in heavy printed jacket accompanied by printed inner jacket with photos and info.
Check Minimal Wave for artist info and sound samples.


In Conversation: Clockwork Orchestra

Clockwork Orchestra is a quirky electronic band from Dublin led by Irish oddball Mango. His songs sound something like broken toys, miserable old men, vintage children’s TV shows, rotting fish, burning plastic and digital clown nightmares. Since August 2010, Clockwork Orchestra have released a series of songs accompanied by animated videos created by a variety of artists and plan to release their debut album later in 2011. In an Interview for Burning Flame Blog, he tells us more about his music, influences and his musical style. 


1. What is the origin of your band name, who is Clockwork Orchestra?
The name comes from the mechanical orchestra depicted in the 1971 film “The Abominable Dr. Phibes” which stars Vincent Price. It also relates to the nature of the music itself and my frequent use of orchestral sounds and samples.
Most of the music released so far was written and produced by me. After I record a song, my collaborator Paul O’Byrne and I drive around the streets of Dublin in the middle of the night mulling over the mixes and other musical ideas. In general I prefer to work alone but we are currently composing a song together for a change.

2. In what way is your music related to your art?
We’ve released a series of animated music videos to accompany the songs created by a variety of artists including two that I made myself. I had a frustrating time in art college which discouraged me from pursuing a career as a traditional artist. Instead, I try to work artistic elements into Clockwork Orchestra whenever possible. I have also created several illustrations to accompany some of the songs which can be found in the artwork section of the Clockwork Orchestra website.

3. Who do you consider as a major influence at the start of your musical career?
Many different things have influenced me from old children’s TV show theme tunes to early computer games. As for musicians, my greatest influences tend to be the new wave and no wave artists of the late 70s early 80s. The film/soundtrack “Urgh! A Music War” had a big impact on me as it introduced me to lots of interesting bands and artists such as Wall of Voodoo, Pere Ubu and Klaus Nomi.

4. What genre of music do you consider your work to be? Main themes and topics of your songs…
I try to avoid genre classification. As the music is largely electronic it tends to be referred to as electro or synthpop but in truth I don’t think that it fits in comfortably with these styles.
Some of my lyrical themes are fairly straightforward while others are more abstract. For instance, the song “Talking To The Flowers” deals with ageing and loneliness whereas a track like “Tragic Roundabout” hints at topics (in this case temptation and corruption) without expressing anything too directly.

5. How do you promote your live shows and your music?
So far we have not played live as Clockwork Orchestra but with our growing fan base it is gradually becoming an inevitability. Thankfully it is relatively easy to promote music online these days whereas in the past, playing live would have been essential. The downside of the popularity of the Internet is that it has become very difficult to make a living from music these days.

6. Who are you trying to address and entertain with your music?
Ideally I want to reach people who like to think about music as well as simply listen to it. My friends and I are what you might call outsiders and oddballs so maybe I’d like to appeal to people like that.


7. What do you miss in today’s music the most?
Personality. It seems to be a crucial element sorely lacking in much of the music being produced nowadays. A lot of the so called “quirky” bands of the last decade sound very forced in my opinion.

8. What is your all time favorite record, song, album?
This is extremely difficult to choose but it would probably be something by The Stranglers. I think the post-punk albums that they released between 1978 and 1983 contain some of the most interesting music ever recorded.

9. What do you listen to these days?
In terms of modern music, I have recently been listening to Dominique Leone (a former critic who started releasing his own music in 2007) and a highly unique band from Finland called Kompleksi.

10. Any further single releases in the near future, album plans?
I am currently working on several tracks that will appear on the first full length Clockwork Orchestra album which I hope will be completed by the end of 2011. In the meantime, there will be several animated music videos to accompany some of the existing songs that have already been released.

11. How can fans-to-be gain access to your music? Do you have a website with sample songs or a demo CD?
The best way to hear the music or watch the videos is to visit the official site: www.clockworkorchestra.com
I also regularly post updates on the Clockwork Orchestra Facebook and Twitter pages and if anyone feels like parting with their money in exchange for songs they should search for Clockwork Orchestra on Bandcamp.   



Top 10 albums that inspired Clockwork Orchestra

1. The Stranglers - La Folie
2. Sparks - A Woofer In Tweeter’s Clothing
3. Brian Eno - Here Come The Warm Jets
4. Yello - Claro Que Si
5. Wall Of Voodoo - Dark Continent
6. Suicide - The Second Album
7. Was (Not Was) - Was (Not Was)
8. Lars Hollmer - XII Sibiriska Cyklar
9. The Residents - The Commercial Album
10. The The - Soul Mining

Depeche Mode's "Ghost" - Fan Retrospective

Hundred Depeche Mode fans from Poland have once again gathered around The Project 'Shadows om Masses' to record a tribute video for the the song "Ghost", one of the bonus tracks of the “Sounds of The Universe” album. The brilliant video was shot in Warsaw, Poland and features a retrospective script which is based on typical themes and motives from about 50 original Depeche Mode videos. As already mentioned, the project was prepared by a group of Polish fans, who, having no budget, organized a professional crew and technical support to shoot the video.

Source:
http://shadows.dmuniverse.pl