Wednesday, June 13, 2007

Instant Hit: Industry- Ready For The Wave

"Ready for the Wave" was featured on Industry's debut EP which was released in 1980. The whole EP was experimental and innovative and differed from the sound the band would later adapt. The track also appeared on the New Wave Complex Compilation Volume 6.  
 

Wednesday, June 6, 2007

Interpol- Our Love To Admire

'Our Love to Admire' is the third studio album by New York-based indie rock band Interpol, recorded in New York City at Electric Lady Studios in Greenwich Village and The Magic Shop Studios, to be released on July 10, 2007 on Capitol Records. The album will be the group's first to be released on a major label, following the release of their debut and follow-up albums on the independent label Matador Records. On 25 April 2007, the band officially announced the album title as Our Love to Admire as well as the track listing. The first single off the new album, "The Heinrich Maneuver", was released on 7 May 2007.

Sunday, June 3, 2007

U.V.PØP

The history U.V.PØP stretches to the late nineties with quasi-Psychedelic Fursesque songs that lay off on the industrial vibe. It was actually a one-man band from the 80s and John White was singer, songwriter and guitarist.
When he began to play live in the early part of 1982, his ´band´ consisted of nothing more than himself plus a series of pre-recorded backing tapes. The arrangement proved both pragmatic and effective; it allowed John to present his music to the public to his own best advantage. Before he decided to form his own band, he performed together with Mark Hughes and Phil Shephard in a band I Scream Brothers where he was responsible for the musical arrangement.

"They might not like this, but I’ll say it. I’d worked with Cabaret Voltaire before, when I was with I Scream Brothers. I’ll not dwell on that, because although the group was a major stepping stone for me, I don’t really have a lot of respect for the other two members at all. We’re not really on good terms now. We’ve slagged each other off you know, they wasted a lot of my time. But anyway, I approached the Cabs again and said, "How about having a go with this? I’m doing a single for Marcus (Featherby of Pax Records)". (Excerpts from) ROAR fanzine - Issue #13 1984
In 1983, the debut single "No Songs Tomorrow" was released and the album followed in 1984. The album was also named ‘No Songs Tomorrow’. It was a strange schizophrenic record influenced by Cabaret Voltaire. Two divorced facades of pale European sound glancing, delicately, from apocalyptic acoustic ballads right through to harsh electronic anthems were the main attribute of this album.

In 1986 another U.V. PØP LP was released, ‘Bandy Baby Man’, which was mainly produced by John White. U.V. PØP songs later appeared on various compilations and they had few more releases during the 90’s. In 2005 Strafbomber made a tribute to the U.V. PØP with the ‘Sleep Don’t Talk’ cover.

Saturday, June 2, 2007

Editors- An End Has A Start

Editors have released their second album entitled 'An End Has A Start'. The album was produced by Jacknife Lee who also worked with Bloc Party and Snow Patrol. 'Smokers Outside Hospital Doors' is going to be their first single from the album. Their previous album 'The Back Room' which was released back in 2005 enjoyed great success in both America and Europe.



Saturday, May 19, 2007

Instant Hit: Stranger Station- Minutes of Silence

"Minutes to Silence" was the only single ever released by Stranger Station. The single was released in 1981 for the Superwop label in France with "Strangers" as a B-side. It was one of the rare and pioneering minimal synth tunes from the early decade. Thirty years after, in 2011 that came back for another shot and released the mellow electronic "Cynthia" which was available as 7" vinyl on Attractive!.

Friday, May 18, 2007

Feist- The Reminder

The Reminder is the third full-length album by indie rock artist Feist. The album was released on 23 April 2007 in countries outside of North America, and 1 May 2007 in the United States and Canada. Following its release, it debuted on the U.S. Billboard 200 at number 16, selling about 31,000 copies in its first week, and debuted at number 2 in Canada, selling just over 18,000 copies.
Confirmed singles include "My Moon My Man" and "1234". 

Wednesday, May 16, 2007

Contol, Ian Curtis

Control: The Ian Curtis film is a biopic film in the making about the late Ian Kevin Curtis (1956-1980), lead singer of the legendary post-punk rock band Joy Division. The screenplay will be based on the book Touching From a Distance, by Curtis' wife, Deborah, who is also a co-producer of the upcoming film.


http://www.neworderonline.com/News/NewsRoom.aspx

Friday, May 11, 2007

Ronny

There is not much info on the only female performer that was part of the romantic movement in the early 80's. We never managed to find out the real name so we will address her with her artistic moniker. She was brought up in the grim Northern industrial area of France and left home at 14 to go to Paris, doing all kinds of different jobs. She took dancing classes, used to model and then stopped everything and started to write songs.


The club entrepreneur Rusty Egan met Ronny in the Paris club Privelege and introduced her to the whole New Romantic movement and she soon became a regular at the Blitz Club. Ronny released three singles co-produced with Midge Ure/Rusty Egan, Vangelis and Peter Godwin. They were all released in 1981/82 on Polydor, "If you Want Me to Stay" has grown into a New Wave classic in the Internet era. 

Thursday, May 10, 2007

Instant Hit: Paul Haig- Something Good

"Something Good" was released as the single in 1989 and it was the lead track from the album Chain released during the same year. Paul Haig financed the recordings himself hoping for a release by Les Disques Du Crepuscule but when Crepuscule dissolved, it was released on Virgin subsidiary Circa. The single was co-produced by Alan Rankine from The Associates and the sleeve included the small Angus McBean portrait of Audrey Hepburn. Even today this remains as one of the most remarkable and memorable Paul Haig songs. 

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