Best of 1981- The Albums List

The year 1980 was marked by a profound sense of loss with the tragic death of John Lennon in December. The music world mourned the passing of one of its most influential figures, and Lennon's iconic hits like "Woman" and "Imagine" reappeared on the charts as a tribute to his enduring legacy. Roxy Music also paid homage with a cover of "Jealous Guy."

Despite the somber atmosphere, the charts were still lively with the sounds of rising stars like Adam and the Ants, while The Police continued to dominate. Human League made a notable return, emerging from a dark phase and releasing "Don't You Want Me Baby." This, coupled with Soft Cell's "Tainted Love," played a crucial role in defining the emerging genre known as Synth-pop.

Simultaneously, the New Romantic movement began to gain traction, with young artists embracing synthesizers and distinctive fashion choices, including lipstick. A groundbreaking moment in the music industry occurred with the launch of MTV, featuring "Video Killed The Radio Star" by The Buggles as its inaugural video. This song became a symbol of the new platform that would reshape the music industry, ushering in a new era of visual storytelling and musical dimension.

Hookey And Barney- The Good Old Times

CEREMONY - A New Order Tribute

Florida independent record label, '24 Hour Service Station', has assembled a tribute album honoring the music of New Order entitled 'CEREMONY - A New Order Tribute'. The double CD plus bonus disc and digital album are scheduled for release on February 20, 2010. Proceeds from record sales will benefit the Salford Foundation Trust’s Tony Wilson Award, established in memory of Tony Wilson, the founding father of landmark independent record label Factory Records, who died of cancer in 2007. Artists who have contributed their own cover versions of New Order Songs are: Rabbit In The Moon, DETACHMENTS, Pocket, SUNBEARS!, Kites With Lights, John Ralston and many more.

http://newordertribute.com/

Track list: Ceremony: A New Order Tribute (2CD version)

Bad Lieutenant - Never Cry Another Tear!

The long awaited debut album by Bernard Sumner's latest formation Bad Lieutenant has been released around the world October 5, 2009.During recording sessions Blur bassist Alex James and ex-New Order drummer Stephen Morris worked with the band on some of the tracks.The lead single "Sink or Swim" was released on September 28, 2009 and it was available for download through their official page.

www.myspace.com/badlieutenantmusic

Bernard Sumner Announces New Project

Bad Lieutenant, a new group put together in 2007 by New Order’s Bernard Sumner (guitar and vocals) alongside Phil Cunningham (guitar) and Jake Evans (guitar and vocals) are pleased to confirm they have completed their long awaited debut LP, which is set for release in autumn this year.
Together, the band have spent over a year writing, recording and mixing the album near Manchester, drafting in additional musicians including Stephen Morris and Alex James. Song titles and live dates will be announced in due course. A new single is expected to be released prior to the LP.

More
http://www.neworderonline.com/

Tony Wilson Dies!

Anthony H. Wilson, co-founder of Factory Records, has died of a heart attack yesterday (August 10th) at the age of 57. Wilson is best known for signing legendary bands including Joy Division and New Order to his label, and as owner of the Hacienda nightclub in Manchester. He played a key role in the Madchester scene of the late 1980's and early 1990's, signing the Happy Mondays.

Wilson passed away on this evening in the hospital after suffering a heart attack that his doctor said was unrelated to his recent battle with cancer.

Thanks for Joy Division, the "Factory" , the music. RIP Tony!

Stockholm Monsters

The youthful Stockholm Monsters came together in Burnage, south Manchester, in the summer of 1980. Initially formed around the core of vocalist Tony France, bassist Jed Duffy and drummer Shan Hira, their name represented a combination of Bowie's Scary Monsters album and a pleasant-sounding Euro City.

As a neglected part of the Factory Records scene, the Stockholm Monsters are a key link between the bristly art-funk of A Certain Ratio and the good-foot indie dance vibe of Happy Mondays and the other Manchester bands of the late 80's. Often seen merely as New Order proteges (Peter Hook produced all but one of their records) and victims of both record company indifference and unnecessary potshots by the cynical British music press, the Stockholm Monsters deserved better treatment than they usually got.

Back then, still in their teens, and with no settled guitarist, the band found it hard to find gigs and be noticed. After linking up with the Manchester Musicians Collective, the Monsters scored a few gigs at local venues such as the Cyprus Tavern, and struck lucky when supporting the Rezillos at Rafters. Both Rob Gretton and New Order bassist Peter Hook were in the audience, and decided that the outstanding song "Fairy Tales" would make a good single for Factory Records. Hook in particular took the fledgling band under his wing, and would go on to produce almost all of their recordings, albeit disguising his identity behind the moniker Be Music.
Just before the release of their first single, the Martin Hannett-produced "Fairy Tales", a 17-year-old trumpet player Lindsay Anderson joined the band. Although "Fairy Tales" was a minor success, hitting the middle reaches of the U.K. indie charts, the Hook-produced follow-up, "Happy Ever After", was a sales disappointment. In April 1982 the band supported New Order on a European tour which took in France, Belgium and Holland.

They released a fine EP, 'Miss Moonlight', in 1983. Unfortunately, despite Hook's continued involvement, Factory Records apparently lost interest in the group and shunted them to their Belgian subsidiary label Factory Benelux, then seen as the label's dumping ground for vanity projects and failed experiments.

The Stockholm Monsters' sole long-player, Alma Mater, came out in September 1984. A low-key record blending jangly guitars and skittering electronic percussion, Alma Mater bridges the gap between the British indie pop and dance scenes of the era much in the same way that New Order would on their next couple of albums.

In August 1985 the group played dates in Spain, but in September disaster struck when the band lost almost all their equipment in a theft from their Manchester rehearsal room. Although the kit was insured the claim was disputed, a dire state of affairs which left the band with little more than a drum kit. With the benefit of hindsight the ex-members agree that the theft knocked the stuffing out of the band, but at the time the Monsters struggled on as best they could with borrowed instruments. The following month the band traveled to Italy for a string of shows with the Durutti Column, and in November again traveled south to play a Factory showcase at the Hammersmith Clarendon in London, together with Section 25 and the then-unknown Happy Mondays (who failed to perform).

The release of "Partyline" was promoted with a couple of live shows in February 1987, including a support slot with New Order in Belfast and a superlative live rendition on Granada TV. A five-song studio demo was also recorded, with "Stupid" and "House is Not a Home" in particular showing that the band still had some of their best material ahead of them. However within a few months the band had effectively split, two years short of the Madchester explosion which propelled Happy Mondays and the Stone Roses onto Top of the Pops.

http://www.prideofmanchester.com/music/stockholmmonsters.htm